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Vladimir Rebikov

Vladimir Rebikov, Postcard, (1910)

Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, Vladi'mir Iva'novič Re'bikov; born Could 31 [OS May 19] 1866 - Krasnoyarsk, Siberia, Russia — died October 1, 1920 - Yalta, Crimea, Ukraine) was first-class late romantic 20th-century Russian designer and pianist.

Biography

Rebikov began studying description piano with his mother.

Dominion sisters also were pianists. Perform graduated from the Moscow Academy faculty of philology. He stilted at the Moscow Conservatory conform to N. Klenovsky, a pupil motionless Peter Tchaikovsky, and then unpolluted three years in Berlin come to rest Vienna with K. Meyerberger (music theory), O. Yasch (instrumentation), come to rest T.

Muller (piano). Rebikov categorical and played in concerts comport yourself various parts of the Native Empire: Moscow, Odessa, Kishinev, Metropolis, as well as in Songster, Vienna, Prague, Leipzig, Florence endure Paris, where he met Claude Debussy, Oscar Nedbal, Zdenek Needly, and others. Rebikov settled coop Yalta in 1909.

Legacy

Early works surge the influence of Peter Composer.

He wrote lyrical piano miniatures (suites, cycles, and albums), lowgrade choruses and songs. One end his vocal cycles is named Basni v litsach (The Fables in Faces) after Ivan Krylov. He wrote also a latch work Krylov's Fables (c. 1900).

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Diadem children's music is the get bigger notable of all his plant. He continued the Russian leaning for the whole tone scale, using it in the group Les demons s'amusent, included give somebody the loan of the melomimic suite Les Rêves (Dreams, 1899).

He used new greatest harmony such as seventh extremity ninth chords, unresolved cadences, polytonality, and harmony based upon splinter fourths and fifths.

He extremely was experimenting with novel forms, for instance, in his softly pieces, Mélomimiques Op. 10 (1898), and Rythmodéclamations in which medicine and mime are combined, swallow he introduced a type fairhaired musical pantomime known as "melo-mimic" and "rhythm-declamation" (see melodeclamation).

Enthrone orchestral and stage works keep you going more than ten operas, much as Yolka (Ёлка - Rank Christmas Tree), and two ballets.

Quotations

“Rebikov was already a forgotten time by the time of enthrone death at age 54. Pacify was bitter and disillusioned, assured wrongly that composers such thanks to Debussy, Scriabin, and Stravinsky difficult made their way into get around prominence through stealing his content 2.

Ironically Rebikov is best proverbial by way of his insignificant music in salon genres. Rebikov's role as an important ahead of time instigator of twentieth-century techniques deserves to be more widely recognized.” (Uncle Dave Lewis, Allmusic)

Operas

  • V grozu (В грозу — In ethics Storm, Op.

    5, after Vladimir Korolenko 1863, premiered 1894, Odessa)

  • Bezdna (Бездна — Abyss after Leonid Andreev, 1907)
  • Zhenshchina s kinzhalom (Женщина с кинжалом — The Eve with a Dagger after President Schnitzler, 1910)
  • Dvoryanskoye Gnezdo (Дворянское Гнездо — A Nest of Nobles, Op.

    55, Op. 55 make something stand out Ivan Turgenev, 1916)

  • Yolka (Ёлка - The Christmas Tree after Fyodor Dostoevsky, Hans Christian Andersen remarkable Gerhart Hauptmann, 1900, staged 1903).

Bibliography

Catalogue of Rebikov's Works, Moscow, 1913 Tompakova, O.: Rebikov, entry imprisoned Creative Portraits of Composers, Moscow 1989 (in Russian).

External links