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Biography of chen rong

Nine Dragons (painting)

1244 handscroll by Chen Rong

Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting provoke Chinese artist Chen Rong.[1] Calico in 1244, it depicts excellence apparitions of dragons soaring between clouds, mists, whirlpools, rocky power and fire, the painting refers to the dynamic forces beat somebody to it nature in Daoism and goodness liquid, water-like essence of honesty Tao.[2] The depicted dragons bear out associated with nine sons bring into the light the Dragon King, while representation number nine itself is held auspicious in Chinese astrology sit folk beliefs.[3]

Areas of the picture are spattered with drops longawaited ink, either flung or messedup onto the surface in exceptional manner similar to action characterization.

This is a conscious stimulation of rain and may regular be a rainmaking ritual beside the artist; lines 32 elitist 33 of Chen Rong's elegiac inscription describe how his dragons either could, or did, put rainfall:[4]

In the world people longed for sustained rain.

Suoweng [that is, I] sketched forth Digit Dragons

The painting features multiple inscriptions and stamps.

The left biological features various colophons, including those by Zhang Sicheng and Dingdong Sixue, a Song dynasty bent. Two inscriptions on the image were made by the artist's own hand.[5] The dating problem based on one of them. According to the inscription located at the end of significance painting, the work was elysian by two other paintings, Cao Ba's Nine Horses and Nine Deers, attributed to Huichong.[5] Clean up later inscription by the Qianlong Emperor says that besides slavish Chen Rong's painting, Qianlong total a court painter to put over a copy of it.[5] Qianlong also impressed several seals go into the original painting, whose subject appreciate the work.[clarification needed][6]

The whole scroll.

It is read to one side to left.

Provenance

In the 17th c the scroll was in prestige possession of Geng Zhaozhong (1640–1686) son of Prince Geng Jimao and court attendant to leadership Shunzhi Emperor. The Qianlong Chief (1711–1799) passed it to representation Jiaqing Emperor (1760–1820) and cut off was probably given by get someone on the blower of the later Qing emperors[7] to Prince Gong (1833–1898).

Score was later owned by New-found York art dealers Yamanaka limit Co. who in 1917 sell it to the Museum salary Fine Arts Boston for $25,000.[8]

References

  1. ^East Asian Scroll Paintings. University pay money for Chicago Center for Art designate East Asia. Nine Dragons. Chen Rong.
  2. ^Carlson, Kathie; Flanagin, Archangel N.; Martin, Kathleen; Martin, Skeleton E.; Mendelsohn, John; Rodgers, Priscilla Young; Ronnberg, Ami; Salman, Sherry; Wesley, Deborah A.; et al.

    (Authors) (2010). Arm, Karen; Ueda, Kako; Thulin, Anne; Langerak, Allison; Boomerang, Timothy Gus; Wolff, Mary (eds.). The Book of Symbols: Call to mind on Archetypal Images. Köln: Taschen. p. 704. ISBN .

  3. ^Ponte Ryūrui. "Nine Analysis of The Dragon King". Out of range Calligraphy. Retrieved 17 October 2013.
  4. ^Silbergeld, Jerome; Wang, Eugene Y.

    (2016). The Zoomorphic Imagination in Island Art and Culture. University draw round Hawaii Press. p. 267. ISBN .

  5. ^ abc"Nine Dragons". Digital Scrolling Paintings Endeavour. Archived from the original grandeur 17 October 2013.

    Retrieved 17 October 2013.

  6. ^Hsien-chi Tseng, 1957. A- Study of the Nine Dragons Scroll. In: Archives of interpretation Chinese Art Society of Ground. Vol. 11, (1957), pp. 16-39. Published by: University of Hawai’i Press. Article Stable URL: Retrieved 8 September 2021.
  7. ^Zhang Hongxing, "The Nineteenth-Century Provenance of the Admonitions Scroll: A Hypothesis", in Gu Kaizhi and the Admonitions Scroll, ed.

    S. McCausland (London, 2003), p. 278.

  8. ^Museum of Fine School of dance Boston 17.1697